This music doesn’t run on a narrative and is more of a conceptual video. What happens in the video could be edited together in anyway and it still look finished and well put together, the way it is pieced together had no effect on the final outcome because it didn’t need to follow a storyline like it would if it was a narrative based music video. This opens to video to a wider range of viewers as not everyone likes to watch music videos with a narrative so to do a conceptual piece appeals to a larger audience.
Long shots are commonly used throughout this music video because it shows off the whole
body of the dancer and the choreography, which as noted before is the focal point of this video. The use of long shots allows the audience to get a full experience of the setting and the concept. The part of the video when Maddie is sat at the table a mixture of mid-shots and close ups are used because close ups are often used to show the emotion of the shot in an intense manner. In this video the close ups really show the facial expressions of the dancer, and with her being the focus of the music video it shows her off and keeps the focus on her more so than in the long shots where the attention could possibly be adverted to the setting.
Maddie Ziegler has become somewhat of a motif in Sia’s music videos since this one, to date she has been five music videos for Sia. When performing Sia never shows her face, she is always wearing a wig that covers the majority of her face, which leads to Maddie being in the videos rather than Sia herself; as well as Maddie wearing a wig similar in all the music videos she stars in. Although Sia is always unseen in her music videos Maddie Ziegler is widely associated with Sia and often when Maddie is seen people think Sia, meaning, though it isn’t direct, the branding/star iconography of Sia’s music videos is very stand out especially as it is different to most other as it is a young, up and coming dancer.
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