I started this unit by researching music video theories (Andrew Goodwin and Carol Vernallis) and analysing 4 music videos of my choice. This gave me a better understanding of how to make a music video of my own. I was unsure on what approach to take at first but finally decided on a narrative based video for the song We Could Be by The Hunna. After planning out for this music video I realised that the idea and concept just wouldn't have worked for me with limitations I had with people willing to be in my video, and time to get everything I wanted filmed it wouldn't have been possible.
So I changed my song to Sweet Creature by Harry
Styles and planned to do a narrative music video following the
main character through everyday life and they infatuation with a passer
by they see all the time. I wanted to leave the love interest open
to interpretation in the terms of gender and sexuality so that it would be
relatable to wider audience.
But after I started filming and editing this video
together it wasn't fitting the idea I had for it in my head and no matter which
clips of footage or which way I edited the footage it didn't work for me
making me frustrated with myself and the video so I felt it would be best
to scrap this idea and start over again. Also I had chose a song I really liked
so I wanted to make it the best I possibly could and because it wasn't turning
out right I was beginning to not like the song or artist and I didn't want to
ruin it for myself; this being another reason I gave up on this idea.
My final video was my third idea of using found footage off YouTube and chose a song that I didn't really have an opinion on as I hadn't heard it before so that I found it easier to work with. I abandoned the idea of doing a narrative music video and did a conceptual music video; based around the name of the song 'Wanderlust' and used travel videos I found on YouTube.
While editing this music video I used new features of Premiere Pro that I hadn't used before like the razor tool to cut clips to sandwich another clip between them but them carrying on from each other as well as using it to get the fade in the right place of the clip.
I also had to add an adjustment layer for the
first time to add the widescreen bars because once the clips were
scaled to size they had the black bars at the top and bottom so to make
the final product look more polished and professional I added the adjustment
layer so that the bar were a part of every clip of the video.
At 0:03-0:08 the panning shots I layered a snippet with a low opacity and reversed it to give a jerking effect that matches to the warping sound in the song, this was my first attempt of layering a reversed clip and I feel it worked well but I had hoped it would have looked a little bit smoother and neater by making sure both clips matched each other. To do this I would alter the second clip (starting at 0:06 with the jerk at 0:08) so that the jerking motion was faster and the framing matched the first layer of footage.
The clips of people jumping in the pool (0:11-0:16) I feel would work better if they were a couple of frames later so that the splashes in the pool matched the beat in the music. That is something I would change if I was redo this edit just so that the final outcome looked more professional and polished.
I used a crossfade to link to complimenting clips at 0:19-0:20 I chose these clips because they illustrate the lyrics "daddy's girl" by the pulling of the hair and kissing his hand. I think the crossfade works well here to link the two clips together makes them work together well as one. Another part that illustrates the lyrics is at 0:26-0:27 when the plate of food is being placed at the time of the lyrics "Breakfast at Tiffany's", I feel that illustrating lyrics adds a cleverness to the music video and shows that the editing was thought about not just something to fill time; it shows that the lyrics were heard during the editing process by illustrating them with visuals that match.
The concept of this music video runs throughout. The being called Wanderlust gave me the inspiration to go with using found footage of travel vlogs to illustrate the song during the entire of the video. The locations vary from Bora Bora, California, the Maldives, the South Pacific, Dubai, Ibiza and several others; I think the variety of locations and countries emphasise the concept of wanderlust.
I chose to use jump cuts a lot throughout my editing
because I feel it matched the beats in the music, a good example of this is at
0:28 when it cuts from the palm tree to the gut driving the quad bike; at the
snap in the music it cuts from the tree to the quad bike. I think jump cuts
were a good choice for this video because of the music and all the beats in it,
they give a good marker to cut to a new clips. However I do feel that I played
a bit to safe with transitions by relying a lot on using jump cuts and didn't
experiment too far with anything other than jump cuts and crossfades.
Between 0:45-0:47 I had clips of a couple dancing on
the beach with a clip of the girl dancing around on her own layered over the
top with the opacity lowered. I did this because it was a new technique I had
developed while working on this project and thought it worked well with the
shot underneath. At 0:47 I had used the razor tool to cut away a part of the
clip so that it was just on its own without the layer on top, I faded it in
because I felt that it went from the bottom clip not being clear due to the top
layer to it at its full opacity and I didn’t think it looked right and looked
too snappy and like a different clip which isn’t what I was going for, but when
I watch back I think there could have been a better way to merge to two clips
together.
At 2:08 until 2:13 I attempted a small repeated
montage of close ups of the girl, who features throughout, the first time
through the clips the speed is set at the standard 100 but the repeat I changed
the speed as the pace of the song picks up before the beat kicks back in for
the next section of the song. I feel that for a first attempt at a montage
style sequence it was okay but if was making this music for a client for them
to use legitimately I would have hoped for it have looked more skilful.
The clips within the timeframe 2:15-2:21 demonstrate
voyeurism, which Andrew Goodwin notes in his book Dancing in the Distraction
Factory, as they all show the girl in a bikini or not a lot of clothes; but due
to the nature of the video it allows the audience to not feel guilty for gazing
upon her body in a sexual manners. This runs as a theme throughout the music
video relating it to Mulvey’s Male Gaze, as the girl is portrayed as a sexual
object throughout.
The waterfall layered over the top of the girl in the
water (2:29-2:31) adds depth to the shot. I feel it shows off the beauty of the
location and of the girl in the same shot. I really like the way this shot
turned out once I had edited it together because the two layers’ opacity
compliments each clip once combined as well as the point in the music and I
feel created a good shot.
As a whole I feel the final product of this unit has
been finished at an acceptable quality through the work of the editing and I
feel that the new techniques I used during the project helped the finished
video look more professional, although the new techniques need work to be up to
a higher standard, I think they worked well with the style of video I was
aiming to create. Overall I am pleased with how it turned out.